This monthly AI reading group / online meet-up is conducted on MS Teams and open to all – you don’t need any technical knowledge, and can approach the topic from a critical or optimistic perspective. Run by Kevin Walker. Get in touch with questions or suggestions.
Next session: Fri 28 Mar 1400 GMT we will discuss this article >> MS Teams meeting link <<
- 24 Feb 2025: Is Botto’s art any good?
The article we read was transcribed from a live event. And around the same time as this reading group, I attended another live event, a private view of a selling exhibition of the works of Botto – semi-autonomous AI artist created by human artist Mario Klingemann – who spoke on a panel at the PV.… Read more: 24 Feb 2025: Is Botto’s art any good? - 28 Jan 2025: Natural Selection Favors AIs over Humans
Here is a summary of our discussion of this article. In its form, I held up this article as a good example of a structured argument (like a dissertation or PhD thesis) – it sets out its aims and argument very clearly, breaks the argument down into coherent sections, and carefully details the evidence for… Read more: 28 Jan 2025: Natural Selection Favors AIs over Humans - 18 Dec 2024: The manliness of AI
After looking at an artistic approach to AI, then computer vision, in this session we focused on language – as used by Large Language Models (LLMs) like ChatGPT. Liz Jackson, a humanities scholar, laments how LLMs promote not only a masculine way of communicating, but (unsurprisingly) a very Silicon Valley-startup style: favouring langauge that is… Read more: 18 Dec 2024: The manliness of AI - 26 Nov 2024: Seeing, naming, knowing
I was attracted by the title of this essay. Seeing, naming, knowing imply a linear progression: from one to the next, Or: seeing + naming = knowing. My interest is epistemological: about what kinds of knowing and knowledge are produced by/with the kind of machine logic Khan describes, and how. She provides some answers. For… Read more: 26 Nov 2024: Seeing, naming, knowing - 29 Oct 2024: The Feral
Still from Camata by Pierre Huyghe, at Palazzo Grassi, Venice, 2024. Photo by Kevin Walker In the first session, we discussed this artistic perspective on AI. Present were a couple of us using AI in artistic practice, a couple people looking more at archives local history, and one investigating prosthetics. The local history angle is that… Read more: 29 Oct 2024: The Feral