Balfour, Lindsay. 2024. “Postdigital Intimacies and Excarnation in FemTech.” TOPIA: Canadian Journal of Cultural Studies 48 (Platform Intimacies Special Issue).

Alatrash, Saif, Sylvester Arnab, and Kaja Antlej. 2023. “Communicating Engineering Heritage through Immersive Technology: A VR Framework for Enhancing Users’ Interpretation Process in Virtual Immersive Environments.” Computers & Education: X Reality 3 (December): 100040. https://doi.org/10.1016/j.cexr.2023.100040.

Bowie, Simon. 2023. “Protecting User Privacy on the COPIM Project.” Community-Led Open Publication Infrastructures for Monographs (COPIM) (blog). August 17, 2023. https://doi.org/10.21428/785a6451.a7eb2e1a.

Kiesewetter, Rebekka. 2023. “The Community Forming Potential of Cartonera Publishing.” Cultural Studies, August. https://www.tandfonline.com/doi/abs/10.1080/09502386.2023.2244507.

Fathallah, Judith. 2023. “‘When It Comes to the True Crime Community, Taylor Is a Legend’: Social and Symbolic Capital among Murderabilia Fans.” International Journal of Cultural Studies, August, 13678779231191810. https://doi.org/10.1177/13678779231191810.

Fathallah, Judith. 2023. “‘When It Comes to the True Crime Community, Taylor Is a Legend’: Social and Symbolic Capital among Murderabilia Fans.” International Journal of Cultural Studies, August, 13678779231191810. https://doi.org/10.1177/13678779231191810.

Balfour, Lindsay. 2023. The Digital Future of Hospitality. London: Palgrave Macmillan.

Evans, Adrienne, and Sarah Riley. 2023. Digital Feeling. Palgrave Macmillan.

Walker, Kevin. 2023. “Twelve Countries and Nine Earths: RAI Film Festival 2023- Online Conference.” Proceedings of RAI Film Festival 2023- Online Conference, March.

Dalfini, Marzia, Maddalena Fragnito, and Sara Leghissa. 2023. La scuola ha riaperto come dopo una nevicata. Nero Editions. https://www.neroeditions.com/product/la-scuola-ha-riaperto-come-dopo-una-nevicata/.

Balfour, Lindsay, ed. 2023. Who Is FemTech For?: Intersectional Interventions in Women’s Digital Health. Sydney: Palgrave Macmillan.

Walker, Kevin. 2022. “A Topian Artistic Methodology.” Journal for Artistic Research 28 (December). https://doi.org/10.22501/jar.940881.

Balfour, Lindsay. 2022. FemTech World Podcast- Episode 2 Femtech Apps and Data Protection. https://open.spotify.com/episode/7bNsIA6t614jJXcE6naSAF.

Daily Rituals: Daily Rituals. 2022. https://youtu.be/xUEIelL-F90.

Campbell, Paul Ian, and Marcus Maloney. 2022. “‘White Digital Footballers Can’t Jump’: (Re)Constructions of Race in FIFA 20.” Soccer & Society 23 (8): 894–908. https://doi.org/10.1080/14660970.2022.2109805.

Adema, Janneke, and Rebekka Kiesewetter. 2022. “Experimental Book Publishing: Reinventing Editorial Workflows and Engaging Communities.” Commonplace, November. https://doi.org/10.21428/6ffd8432.8998ab82.

Schmid, Helga, and Kevin Walker. 2022. “Algorithmic Cultures of Time: Counterparts: Exploring Design Beyond the Human.” In .

Treloar, Marley. 2022. “Recycle Archaeology: Community Reuse of Archaeological Disposals.” Makings Journal Volume 3 (Issue 1). https://hcommons.org/deposits/item/hc:49081/.

F0lded 1n: AI. 2022. https://youtu.be/RJIZUGT2obo.

Balfour, Lindsay. 2022. FemTech and Data Privacy. https://www.youtube.com/watch?v=3uNUKKDhJ9o.

Riley, Sarah, Adrienne Evans, and Martine Robson. 2022. Postfeminism and Body Image. 1st edition. Routledge.

Fariman, Mahsa Alami. 2022. “Closedness and Openness in Tehran; a Feminist Critique of Sennett.” Gender, Place & Culture 0 (0): 1–22. https://doi.org/10.1080/0966369X.2022.2092074.

Bowie, Simon. 2022. “Only Time: Time and Trauma in Yellowjackets.” In . British Association of Film, Television and Screen Studies Horror Studies SIG. https://baftsshorror.weebly.com/symposium.html.

Bowie, Simon. 2022. “Free and Open-Source Software as (Non-)Liberatory Technology.” In . Coventry, UK: Centre for Postdigital Cultures, Coventry University. https://www.eventsforce.net/cugroup/frontend/reg/thome.csp?pageID=218301&ef_sel_menu=3741&eventID=780.

Maloney, Marcus, Steve Roberts, and Callum Jones. 2022. “‘How Do I Become Blue Pilled?’: Masculine Ontological Insecurity on 4chan’s Advice Board.” New Media & Society, June, 14614448221103124. https://doi.org/10.1177/14614448221103124.

Walker, Kevin. 2022. “Pervasive AI as Ethnographer: Anthropology, AI and the Future of Human Society.” Anthropology, AI and the Future of Human Society (In-press) (June): (In-press).

Fathallah, Judith. 2022. “Reading Serial Killer Fanfiction: What’s Fannish about It?” Humanities 11 (3): 65. https://doi.org/10.3390/h11030065.

Balfour, Lindsay. 2022. “#TimesUp for Siri and Alexa: Sexual Violence and the Gendered Hospitality of the Digital Domestic.” In The Forgotten Victims of Sexual Violence in Film, Television and New Media, edited by Stephanie Patrick and Mythili Rajiva. Palgrave Macmillan.

Diaz-Fernandez, Silvia, and Adrienne Evans. 2022. “(Mis)Recognition within Heterogendered Lad Culture: LGBTQIA+ Students’ Subjectivities in Higher Education.” Gender and Education 34 (3): 346–61. https://doi.org/10.1080/09540253.2021.1929855.

Balfour, Lindsay. 2022. #mhTV Episode 82 – Women’s Health Technology: Why It Could Be so Much More than Period Trackers. https://www.youtube.com/watch?v=-I8vq5bqHa8.

Balfour, Lindsay. 2022. “Women’s Health Technology Could Be so Much More than Period Trackers.” The Conversation, February.

Fathallah, Judith. 2022. “Open Access Monographs: Myths, Truths and Implications in the Wake of UKRI Open Access Policy.” LIBER Quarterly: The Journal of the Association of European Research Libraries 32 (1). https://doi.org/10.53377/lq.11068.

Evans, Adrienne, and Sarah Riley. 2022. “The Righteous Outrage of Post-Truth Anti-Feminism: An Analysis of TubeCrush and Feminist Research in and of Public Space.” European Journal of Cultural Studies 25 (1): 25–42. https://doi.org/10.1177/1367549420951574.

Fragnito, Maddalena, and Zoe Romano. 2022. “On the Fall of Joy.” In Synthetic Becoming. https://www.academia.edu/92894406/On_the_Fall_of_Joy.

Fragnito, Maddalena, and Assembly Raising Care. 2022. “Questioning UBI through the Lens of Care.” In Art for UBI (Manifesto). https://www.academia.edu/88809926/Questioning_UBI_through_the_lens_of_care.

Fathallah, Judith. 2022. “Authenticity After Cock Rock: Emo and the Problem of Femininity.” In Cultures of Authenticity, edited by Marie Heřmanová, Michael Skey, and Thomas Thurnell-Read, 165–78. Emerald Publishing Limited. https://doi.org/10.1108/978-1-80117-936-220221012.

Balfour, Lindsay. 2022. “Protecting User Data in the Fight for Reproductive Justice: A Critical Feminist Perspective.” Presented at the Reproductive Health Crisis – Breakthroughs & Backtracks. Being Human Festival.

Bowie, Simon. 2022. “Auto-Invitation.” In Invitation to Love, 6. The 6ress 3. https://www.etsy.com/uk/listing/1144886005/issue-3-invitation-to-love?show_sold_out_detail=1&ref=nla_listing_details.

Fragnito, Maddalena. 2022. “Care Is Conflictual.” In Glossary of Common Knowledge Vol.2, 92. https://www.academia.edu/50638333/Care_is_conflictual.

Tavolo Salute e Scuola (PaS), Maddalena Fragnito, and Roberta Moscarelli. 2022. “Ripensare il welfare, riappropriarci dello spazio pubblico. Proposte dalla scuola in pandemia.” DINAMOpress (blog). 2022. https://www.dinamopress.it/news/ripensare-il-welfare-riappropriarci-dello-spazio-pubblico-proposte-dalla-scuola-in-pandemia/.

Schmid, Helga, and Kevin Walker. 2021. “The Atemporal Event: 24 Hours in Uchronia.” Journal for Artistic Research, no. 25 (December). https://doi.org/10.22501/jar.827680.

Balfour, Lindsay. 2021. “An Intersectional Analysis of Our Robotic Future: Surrogate Humanity: Race, Robots, and the Politics of Technological Futures, by Neda Atanasoski and Kalindi Vora, Durham and London, Duke University Press, 2019, 196pp (240 Incl. Notes and Bibliography). ISBN: 9781478003175 (Cloth 99.95) / 9781478003861 (Paperback – 25.95) / 9781478004455 (Ebook).” Cultural Studies, December. https://doi.org/10.1080/09502386.2021.2020315.

Edginton, Sadie, Alex Parry, and Cicilia Östholm. 2021. “Structures within Structures: Examining Alternative Cultures of Learning in the Institution.” Art & the Public Sphere 10 (2): 265–74. https://doi.org/10.1386/aps_00064_1.

Bruff, Ian, and Mel Jordan. 2021. “Art, Politics, Pedagogy: Juxtaposing, Discomfiting, Disrupting.” Art & the Public Sphere 10 (2): 143–56. https://doi.org/10.1386/aps_00054_1.

Beech, Dave, and Mel Jordan. 2021. “Toppling Statues, Affective Publics and the Lessons of Black Lives Matter Movement.” Art & the Public Sphere 10 (1): 3–15. https://doi.org/10.1386/aps_00045_3.

Maloney, Marcus, and Scott Doidge. 2021. “Homegrown Heroes and New War Warriors: Post-9/11 Depictions of Warfare in Call of Duty.” In Militarization and the Global Rise of Paramilitary Culture, edited by Brad West and Thomas Crosbie, 57–74. Springer. https://doi.org/10.1007/978-981-16-5588-3.

Fathallah, Judith. 2021. “New Systems for Open Access Books: An Innovative Platform from COPIM.” online, September 27. https://doi.org/10.5281/zenodo.5518828.

Fathallah, Judith. 2021. “The COPIM Project Platform: New Infrastructures for Open Access Books.” September 15. https://doi.org/10.5281/zenodo.5509793.

Adema, Janneke. 2021. Living Books: Experiments in the Posthumanities. Cambridge, Massachusetts: MIT Press.

Bowie, Simon. 2021. “’Under the Sycamore Trees’: Irony and Sincerity in Twin Peaks Episode 29.” In .